If I had a dollar for every “think”-piece about the future of music, I could quit all my other jobs to concentrate on Guitar Moderne, and making more music. Still, I can’t resist adding my own two cents (like how I continued the monetary theme?). A trend I am observing is an increasing number of musicians equally at home with playing (often multiple) instruments, music technology, and creating video.
In 2014, Livid came out with Guitar Wing, which we covered in Guitar Moderne. We were impressed with the possibilities of controlling effects parameters right from the face of the guitar, unchained from pedals and standard hardware controllers. The downside was that the unit can be difficult to fit on your instrument and makes a large visual statement that may or may not be to your liking. On the upside, it is very versatile and, streeting at a little over $100, reasonably priced.
The folks at GTC have come up with an alternate device that debuted at NAMM a couple of years ago. As hearing anything at NAMM is an exercise in futility, we were glad to come across a video that clearly demonstrates the enormous possibilities of their Revpad. Smaller than the Guitar Wing, it comes with its own hardware multi-effects and can also send MIDI to external effects. On the strength of this video, the effects sound great and the Revpad seems nearly as versatile as the Guitar Wing. At around $1000, it is pricier than the Livid product, but when you factor in the cost of the laptop and/or external hardware effects you would need to add to Guitar Wing, they seem comparable values. What do you think?
If there is one record store that epitomizes the spirit of Guitar Moderne, it is Downtown Music Gallery. When I lived in New York, I discovered a wealth of new music there and saw some great shows. Here is a video that gives some of the store’s history and shows the kind of guitarists and other instrumentalists who played there. If you are looking for recordings by your favorite artist and can’t find it at your local record store (assuming you have one), these guys will take care of you.
I recently shared a bill here in Nashville with Dan Phelps and was intrigued by his looping setup. He gave me a quick tour after the gig but went into much more detail during his clinic at Full Sail in Florida. Looping fans will enjoy how the elegance of his simple approach permits a wide variety of sounds.
Aarset being interviewed in Torino. The background noise is annoying, yet at the same time somehow appropriate and the interview is still clearly audible.