A typical jazz guitarist might record a collection of tunes by, or associated with, important influences. Eivind Aarset is no one’s idea of a typical jazz guitarist, but his first record for ECM, Dream Logic, echoes his early influences, as well as some more recent ones.

Though “Homage to Greene” inadvertently misspells the name of the British guitarist who formed the original Fleetwood Mac, it perfectly captures the blues player’s more ambient side, as heard in the Mac’s first hit single, “Albatross.”

Not one to dwell in the past, the larger portion of Dream Logic reveals the influence of Aarset’s recent collaborators. The Norwegian guitarist has engaged in much performance and remix work with Dream Logic producer and sampler wizard, Jan Bang, and the inspiration of their past pairing hovers over cuts like “Black Silence,” “Active,” and “Reactive.” They have also worked together with Jon Hassell, and elements of that groundbreaking trumpeter’s work infect “The Beauty of Decay,” with Aarset’s harmonized guitar recalling Hassell’s seminal use of that effect.

Eivind Aarset was fittingly the first interview subject featured in Guitar Moderne and it was a pleasure to catch up with him again. Here he goes into detail about how he created the sounds on the new record.

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