Introducing: Boss V-BDN VG-Strandberg Guitar

If there is a guitar that smells like the future, this is it. Boss is introducing the V-BDN VG-Strandberg guitar, a new instrument that fuses the designs of Swedish builder Strandberg with the V-Guitar technologies from Boss.

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Sky Music Terje Rypdal Tribute Drops Today

Wednesday was modern guitar pioneer Terje Rypdal’s 70th birthday. To celebrate, Henry Kaiser assembled a who’s who of modern guitarists: David Torn, Bill Frisell, Nels Cline, Hedvig Mollestad, Jim O’Rourke, Hans Magnus Ryan, Raoul Björkenheim, Even H. Hermansen, Reine Fiske, along with long time Rypdal keyboardist Ståle Storløkken, bassist Ingebrigt Håker Flaten, and drummer Gard Nilssen (Dungen). There is a Volume 2 that is a vinyl only release of side-long outtakes that were too good to leave on the shelf.

Kaiser also played and his production is more than up to the task of presenting multiple distorted guitars with clarity and cohesion. This tribute is a must-own for anyone interested in modern guitar playing at its best.

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Introducing: Earthquaker Devices Data Corrupter

The EarthQuaker Devices Data Corrupter Modulated Monophonic PLL Harmonizer launches today. This mouthful of a pedal is a monophonic analog PLL harmonizer with modulation. It takes your input signal and amplifies it into a square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-voice guitar synthesizer.

The Master Oscillator is the central nervous system at the heart of the Data Corrupter’s cyberpunk hive mind. It feeds your input to the Data Corrupter’s signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2) for maximum compatibility with your preferred instrument and frequency register. Once you’ve chosen your input octave, then the Data Corrupter will perform its calculations and spit out an analog synthesized frequency, which can be pitch-bent for portamento or vibrato sounds by the Frequency Modulator. From there, you can blend in one of eight Subharmonic intervals up to three octaves below the input and mix in a square wave fuzz tone for maximum data corruption. Full review to come soon.

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Spotlight: Raphael Vanoli

In my recent conversation with Ralph Gibson  I posited that many modern guitarists who traffic in large part in noise are nevertheless highly schooled on the instrument, whether in classical, jazz, rock, or all of the above. Raphael Vanoli is one such guitarist. But more important, in his solo work Vanoli has developed the technique of blowing across the strings to a high art, turning the guitar into a kind of wind instrument. Add to that his unique dub/electronica duo Knalpot with Gerri Jäger on drums, percussion, electronics, synth, and Casio, and you have one of the more exciting modern guitarists working today.

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