Spotlight: Markus W. Schneider

Sometimes it takes great modern players to demonstrate new ways in which the electric guitar can be used to creatively enhance the song form: Belew/Fripp in King Crimson, David Torn with David Bowie, Stian Westerhus with his band Pale Horses, and now Markus Schneider on his new record Widerspruch, where he intones evocative vocals over glitchy guitar. This Viennese guitarist contacted me and I checked out some live videos, where his cool Hofner immediately caught my eye. I decided an interview was in order.

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Exclusive: Bill Frisell’s Amazing New Guitar

Someone posted some pictures of the guitars Bill Frisell used during his four night residency at the Freight & Salvage in the San Francisco Bay Area. One of them looked very unusual. It was not the typical Tele, Jazzmaster, Strat, or archtop shape he usually favors. I emailed him to ask, “What is that guitar?” Bill was kind enough to answer in detail, as well as sending gorgeous pictures of this unique instrument.


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Book Review: IrRational Music by Elliot Sharp

My years of making music in New York City coincided at various times with Elliot Sharp’s. Our musical worlds, however, rarely overlapped. I was playing blues and country music; accompanying singer-songwriters, both struggling and famous; and playing in pop bands that were trying to get record deals (my more avant-garde efforts would come later). Elliot, on the other hand, was at the nexus of all the art that was pushing the envelope during that period, and is still to this day. I never saw him perform live or met him until shortly before I left New York to move to Nashville in 2012, and then it was in a wonderful duo performance with Mary Halvorson.

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Fuzz Fuzz Fuzz: The Third Ultimate Fuzz Roundup

I am aware that “ultimate” is like “unique.” Something either is or it isn’t in both cases, making “third ultimate” ridiculous. I just like having fun with the click bait concept. Also apologies to the manufacturers of the pedals for taking so long—life intervenes.

This roundup leans heavily on classic, less extreme fuzz, though with three octave fuzz boxes in the mix there are plenty of strange sounds available. This time we tackle two multi-sound EarthQuaker units, two Electro-Harmonix pedals, and one each from Crazy Tube Circuits, Keeley, Joe Gore, JHS, MXR, and Fender.

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