Wednesday was modern guitar pioneer Terje Rypdal’s 70th birthday. To celebrate, Henry Kaiser assembled a who’s who of modern guitarists: David Torn, Bill Frisell, Nels Cline, Hedvig Mollestad, Jim O’Rourke, Hans Magnus Ryan, Raoul Björkenheim, Even H. Hermansen, Reine Fiske, along with long time Rypdal keyboardist Ståle Storløkken, bassist Ingebrigt Håker Flaten, and drummer Gard Nilssen (Dungen). There is a Volume 2 that is a vinyl only release of side-long outtakes that were too good to leave on the shelf.
Kaiser also played and his production is more than up to the task of presenting multiple distorted guitars with clarity and cohesion. This tribute is a must-own for anyone interested in modern guitar playing at its best.
The EarthQuaker Devices Data Corrupter Modulated Monophonic PLL Harmonizer launches today. This mouthful of a pedal is a monophonic analog PLL harmonizer with modulation. It takes your input signal and amplifies it into a square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-voice guitar synthesizer.
The Master Oscillator is the central nervous system at the heart of the Data Corrupter’s cyberpunk hive mind. It feeds your input to the Data Corrupter’s signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2) for maximum compatibility with your preferred instrument and frequency register. Once you’ve chosen your input octave, then the Data Corrupter will perform its calculations and spit out an analog synthesized frequency, which can be pitch-bent for portamento or vibrato sounds by the Frequency Modulator. From there, you can blend in one of eight Subharmonic intervals up to three octaves below the input and mix in a square wave fuzz tone for maximum data corruption. Full review to come soon.
Once upon a time, a couple of former Strymon and Line 6 folks got together and started making 500 Series rack modules under the name Meris. Eventually they started producing pedal versions of two of the modules. I saw one of those pedals, the Ottobit Jr., demonstrated back in January by Nick Reinhart and Juan Alderete on the great YouTube channel Pedals And Effects. It immediately struck me as potentially a perfect multi-effects pedal for Guitar Moderne readers. As luck would have it, in February, Nick introduced me by email to the Meris people who were kind enough to send one when the review models became available. I dove in and here are the results.
In his video “To Bill” (below) it is easy to detect who the Bill in the title is, but Rocco Saviano also cites Avant-singer Mike Patton. Still, when not paying homage to modern guitar icon Frisell, Saviano’s music leans toward more towards the romanticism of his classical background, with emotion-filled melodies layered over consonant chords, rather than towards Patton’s aggressive sounds. In fact, Saviano’s lyrical style gives ample proof that noise is only one way to be modern.