Spotlight: Rocco Saviano

In his video “To Bill” (below) it is easy to detect who the Bill in the title is, but Rocco Saviano also cites Avant-singer Mike Patton. Still, when not paying homage to modern guitar icon Frisell, Saviano’s music leans toward more towards the romanticism of his classical background, with emotion-filled melodies layered over consonant chords, rather than towards Patton’s aggressive sounds. In fact, Saviano’s lyrical style gives ample proof that noise is only one way to be modern.

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Glitch Guitar

This video is to accompany my Electronic Musician column “Electronic Guitar.” The July column is on Glitch Guitar and the video features the Red Panda Particle, the Electro-Harmonix Canyon, and Ableton Live’s Beat Repeat plug-in. The issue is on the stands now and the article should be available online next month.

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Guitar Moderne Record Picks VIII

A pair of great new recordings featuring Bill Frisell have dropped.

Bill Frisell & Thomas Morgan Small Town [ECM] pairs the pioneer with the young bass phenom, Morgan, in a live duo set that recalls the classic Jim Hall/Ron Carter duet records. (Release date May 26th)

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Spotlight: Killick Hinds

Whether performing acoustic dronefests with the latest Paul Vo technology, or jamming with his band Pocketful of Claptonite on his fretted, fretless, or micro-fretted Teuffel, Toone, or New Complexity Harmonic Isolator instruments, Killick Hinds defines the modern guitarist. The Athens, Georgia resident performs steadily locally and sporadically elsewhere in a variety of improvising situations. Here he articulately discusses the foundations and process of his art and the tools with which he creates it.

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Noveller Revisited

Sarah Lipstate has been a unique voice in modern guitar ever since she went solo as Noveller and began her distinctive looping performances. You can get the back story in my first Guitar Moderne interview, as well as in the one I did for Guitar Player . Much has happened in Noveller-land since then, so on the occasion of the release, A Pink Sunset for No One, it seemed time to sit down with her and find out how she has taken the one-time niche of guitar looping to the big stage with the likes of St. Vincent and Iggy Pop. An admitted gear-junkie, we delve into the goodies she is using, (spoiler alert: like Eno she eschews the comfort of the familiar for the excitement of experimentation.) But Sarah was also candid about her artist’s journey: how she came to these extraordinary opportunities, and why she decided to forsake Brooklyn for Los Angeles.

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