Happy New Year to all the readers, subscribers and sponsors of Guitar Moderne. I hope to expand the reach of the magazine in 2018 by bringing more guitarists, products and techniques to anyone interested in the future of guitar. Here’s hoping we all have a happy and healthy year in 2018.
Thanks to a Facebook post by Naia Azumi, I discovered Elta Music devices . One of a growing number of pedal manufacturers who seem to be springing from the burgeoning modular market, Elta offers four effects in footswitchable packages that are bound to be of interest to the modern guitarist. First up is their String Ringer:
Guitar is but a small part of Paul Steven Ray’s creative palette. Percussion, composing for various aggregations including operas, and video also provide outlets for his restless inventiveness. His latest recording MAPS, by Paul Steve Ray’s BlueBlack Dream (one of his many projects), includes guitar, both played and attacked, samples, Theremin, sung and spoken vocals. It is a work of texture and mystery inspired by a wide range of musical influences thoroughly absorbed.
The EarthQuaker Devices Data Corrupter Modulated Monophonic PLL Harmonizer launches today. This mouthful of a pedal is a monophonic analog PLL harmonizer with modulation. It takes your input signal and amplifies it into a square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-voice guitar synthesizer.
The Master Oscillator is the central nervous system at the heart of the Data Corrupter’s cyberpunk hive mind. It feeds your input to the Data Corrupter’s signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2) for maximum compatibility with your preferred instrument and frequency register. Once you’ve chosen your input octave, then the Data Corrupter will perform its calculations and spit out an analog synthesized frequency, which can be pitch-bent for portamento or vibrato sounds by the Frequency Modulator. From there, you can blend in one of eight Subharmonic intervals up to three octaves below the input and mix in a square wave fuzz tone for maximum data corruption. Full review to come soon.
We pedal geeks often go on about the delightful idiosyncrasies of vintage effects: “Sure, germanium fuzz pedals are inconsistent and reactive to temperature, but, man, that sound,” or “Yeah, the original Electro-Harmonix Electric Mistress Flanger was noisy as hell, but, man, that sound!” Modern effect pedals are often sturdier, more consistent, and quieter, but can lack that quirky character that makes the old ones fun and fabulous. Earthquaker Devices new Erupter fuzz brings some of sound and eccentricity that makes us love the pedals of yore.