The EarthQuaker Devices Data Corrupter Modulated Monophonic PLL Harmonizer launches today. This mouthful of a pedal is a monophonic analog PLL harmonizer with modulation. It takes your input signal and amplifies it into a square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-voice guitar synthesizer.
The Master Oscillator is the central nervous system at the heart of the Data Corrupter’s cyberpunk hive mind. It feeds your input to the Data Corrupter’s signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2) for maximum compatibility with your preferred instrument and frequency register. Once you’ve chosen your input octave, then the Data Corrupter will perform its calculations and spit out an analog synthesized frequency, which can be pitch-bent for portamento or vibrato sounds by the Frequency Modulator. From there, you can blend in one of eight Subharmonic intervals up to three octaves below the input and mix in a square wave fuzz tone for maximum data corruption. Full review to come soon.
We pedal geeks often go on about the delightful idiosyncrasies of vintage effects: “Sure, germanium fuzz pedals are inconsistent and reactive to temperature, but, man, that sound,” or “Yeah, the original Electro-Harmonix Electric Mistress Flanger was noisy as hell, but, man, that sound!” Modern effect pedals are often sturdier, more consistent, and quieter, but can lack that quirky character that makes the old ones fun and fabulous. Earthquaker Devices new Erupter fuzz brings some of sound and eccentricity that makes us love the pedals of yore.
Here at Guitar Moderne we there isn’t much distinction between advertising and editorial. We love and choose our advertisers because they make great stuff for modern guitarists, so why not spread the word. Here is a new, massive sounding fuzz from Earthquaker. Please click on their ad to read the specs. (Full review coming down the line).
Five years ago, I found myself scouring YouTube for videos of guitarists like Nels Cline, Derek Bailey, and Eivind Aarset. I was amazed at how much was available and how those videos led to others by strange and wonderful guitarists I didn’t know. I wanted to share this find—but where? I had many guitarist friends and “friends” on Facebook, but only a small percentage of those would be interested in the avant-garde excursions of the players I enjoyed.
The man who helped inspire guitarmoderne.com takes an awesome solo at 5:25
Whether performing acoustic dronefests with the latest Paul Vo technology, or jamming with his band Pocketful of Claptonite on his fretted, fretless, or micro-fretted Teuffel, Toone, or New Complexity Harmonic Isolator instruments, Killick Hinds defines the modern guitarist. The Athens, Georgia resident performs steadily locally and sporadically elsewhere in a variety of improvising situations. Here he articulately discusses the foundations and process of his art and the tools with which he creates it.