Audio Damage’s Cool Enso Looper

While perusing the latest edition of Electronic Musician, I chanced upon the Enos Looper by Audio Damage.Much as I love doing loops on my iPad with Simpler, Borderlands, and iDensity,  I have been looking for a more basic looper to add to the iOS  arsenal. I was intrigued enough to plop down $5.99 USD and check it out, only to learn that , while it can be used for basic looping and Frippertronics, ala the Ableton Live Looper, it is capable of much more. I recommend checking out the video. (It demos the plugin, but they are very close).

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Eivind Aarset Speaks About His Multiple Record Appearances And His New Guitar

I can’t believe it has been four years since I spoke to Eivind Aarset, the guitarist largely responsible for sending me on this Guitar Moderne journey. Now is the perfect time, as he is featured on four new records. We spoke about three of them, and surprise, surprise, his first new guitar in, well, forever.

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Big Ears 2019

As advertised, Big Ears 2019 was a guitar extravaganza. My wife Liz and I were able to see Bill Frisell, David Torn, Mary Halvorson, Anthony Pirog, and Rafiq Bhatia, some of them multiple times, as well as other, non-guitar improvising legends and newcomers. Once again, venues like the Tennessee Theater, The Bijou Theater, The Standard, and The Mill and the Mine offered stellar sound quality and sight lines, and the local food was fabulous.

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Guitar Moderne Festival: Big Ears Edition

Big Ears starts Thursday. For those of you attending, here is a sample of the amazing guitar performances planned. For those of you who can’t make it, here is what you will be missing. There are still General Admission tix available, so if you can get to Knoxville this week, please do.

Bill Frisell and Thomas Morgan

Sun of Goldfinger

The Messthetics

Mary Halvorson and Code Girl

Thumbscrew

Rafiq Bahtia

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Book Review: IrRational Music by Elliot Sharp

My years of making music in New York City coincided at various times with Elliot Sharp’s. Our musical worlds, however, rarely overlapped. I was playing blues and country music; accompanying singer-songwriters, both struggling and famous; and playing in pop bands that were trying to get record deals (my more avant-garde efforts would come later). Elliot, on the other hand, was at the nexus of all the art that was pushing the envelope during that period, and is still to this day. I never saw him perform live or met him until shortly before I left New York to move to Nashville in 2012, and then it was in a wonderful duo performance with Mary Halvorson.

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