Community

Please post your ideas and feelings about guitarists, gear, and techniques relating to the world of modern and experimental guitar, as well as people topics, software and hardware you would like to see covered. Also feel free to offer ideas for the site: structure, sections, navigation.

There are many magazines and sites devoted to classic guitar styles, so please try to restrict this discussion to the more adventurous areas. And…

Keep it civil: don’t make me come over there ;-)

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15 thoughts on “Community

  1. Hey, just found this website and so far have been very impressed. Normally guitar-centric zines don’t hold too much interest for me. Keep it up!

    If anyone has time check out some videos I recorded about a month ago of me doing some live guitar looping improvisations using guitar, keyboard, lots of effects and my laptop running Ableton Live 9.
    http://youtu.be/I8g8fP2MvG8
    http://youtu.be/igF08hQuazI

    These were just a test of concept and hope to be doing more in the future. Keep up the good work on the website! I know I’ll be checking back often!

  2. Hey Michael, just got another look at this website, interesting stuff…

    Got a question: What is considered “experimental” guitar? Could you provide a few examples, and I apologize if I am in the wrong place for asking this question.

    Thanks,
    Colleen

    • Hi Coleen
      I think the best way to understand is to check out the videos on the site. You will see that the playing does not fit into the usual style that you hear in traditional rock or jazz.

      • When I attended the jazz festival in montreal many years ago, I was so dissapointed,. I could not follow, with my ears, where the musicians were going… specifically Branden Marsallis (sp). Anyway, I will scout around and hear what I can and let you know. Thank you!

        • For me, it’s a case of familiarity. New sounds/practices do often seem strange, but if you keep listening and thinking, often it begins to make sense. That’s certainly what I’ve found with my forays into free improv (as a listener & now fan). The excitement for me comes in identifying the often oblique ways that musicians interact with each other, pick up (or ignore!) each other’s ideas.

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