While perusing the latest edition of Electronic Musician, I chanced upon the Enos Looper by Audio Damage.Much as I love doing loops on my iPad with Simpler, Borderlands, and iDensity, I have been looking for a more basic looper to add to the iOS arsenal. I was intrigued enough to plop down $5.99 USD and check it out, only to learn that , while it can be used for basic looping and Frippertronics, ala the Ableton Live Looper, it is capable of much more. I recommend checking out the video. (It demos the plugin, but they are very close).
Sometimes it takes great modern players to demonstrate new ways in which the electric guitar can be used to creatively enhance the song form: Belew/Fripp in King Crimson, David Torn with David Bowie, Stian Westerhus with his band Pale Horses, and now Markus Schneider on his new record Widerspruch, where he intones evocative vocals over glitchy guitar. This Viennese guitarist contacted me and I checked out some live videos, where his cool Hofner immediately caught my eye. I decided an interview was in order.
Someone posted some pictures of the guitars Bill Frisell used during his four night residency at the Freight & Salvage in the San Francisco Bay Area. One of them looked very unusual. It was not the typical Tele, Jazzmaster, Strat, or archtop shape he usually favors. I emailed him to ask, “What is that guitar?” Bill was kind enough to answer in detail, as well as sending gorgeous pictures of this unique instrument.
I am aware that “ultimate” is like “unique.” Something either is or it isn’t in both cases, making “third ultimate” ridiculous. I just like having fun with the click bait concept. Also apologies to the manufacturers of the pedals for taking so long—life intervenes.
This roundup leans heavily on classic, less extreme fuzz, though with three octave fuzz boxes in the mix there are plenty of strange sounds available. This time we tackle two multi-sound EarthQuaker units, two Electro-Harmonix pedals, and one each from Crazy Tube Circuits, Keeley, Joe Gore, JHS, MXR, and Fender.