Elliott Sharp/Matteo Liberatore, Nels Cline/Susan Alcorn, Raoul Bjorkenheim /Anders Nilsson are among the guitarists featured in Guitar Moderne who have teamed up for a bunch of concerts to start of the summer festival year. And as a bonus a new duet concert with Stian and Sidsel, with Stian on a new guitar! Thanks to Don Mount for documenting the NYC avant scene.
Over five years of artist interviews in Guitar Moderne, it has become evident that a large number of modern guitarists are steeped in, or at least fans of, roots music like traditional blues, country, and/or gospel. Kentucky born, Sacramento raised Ross Hammond continues the trend. His journey begins in the blues, traverses jazz and free improv, and has come full circle to a personal style of acoustic instrumental work that often employs the steel-bodied resonator guitar favored by the likes of Bukka White, Son House, and Tampa Red. His record, Follow Your Heart sets his acoustic outpourings in a church, for some sonically beautiful and soulful music.
Allan Holdsworth earned his place in modern guitar history early on, by virtue of his work with Soft Machine, Gong, Tony Williams Lifetime, and Bruford’s U.K.. Originally, Holdsworth wanted to play saxophone but was unable to afford one. As is often the case, necessity became the mother of invention and the British guitarist went on to develop a style that combined superhuman speed with wide intervals in order to mimic the sound of the greatest jazz saxophone players. He developed an advanced sense of harmony that led to highly complex compositions and dense, flowing lines.